Social Sciences and Humanities > Home > Journal
ArtSci - ISSN 2515-8767 - © ISTE Ltd
The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.
Painting, poetry, music, literature, fiction, cinema, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.
La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.
La peinture, la poésie, la musique, la littérature, la fiction, le cinéma, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.
Antoine Risso (1777-1844) was a native and lifelong resident of Nice (France). He was a pharmacist by training and occupation, but became one of the foremost naturalists of his time. Risso published extensively on the (...)
The animated film "The Prince’s voyage" (2019), based on a previous film "A Monkey’s Tale" (1999), and inspired by Italo Calvino’s book "The Baron in the Trees" (1957), is marked by a strong vegetal influence, diversity and (...)
Pavel Florensky’s works are presented, especially under their mathematical and artistic aspects. His notion of “reverse perspective” is introduced as opposed to the “Euclidian” perspective of the Renaissance Italian paintings. (...)
If I refuse to abandon aesthetics as a discipline as well as an experience, it is because of at least three arguments. The first is that contemporary art, even when it is most overtly conceptual and intellectualized, does (...)
This publication aims to update the complicated history regarding the acquisitions of the works of Leonardo da Vinci by French royalty. We try to clarify this story using available sources, by highlighting errors in the (...)
A system of proportions and measures is highlighted that can be found in all of Leonardo da Vinci’s painted work, especially the portraits. This system relies on the golden ratio and is inspired by Greek antiquity. The rules (...)
Since its conception, the computer has found applications to accompany human creativity. Today, the debate about computers and creativity involves several challenges, such as understanding human creativity, modeling the (...)
Editorial Board
Editor in chief
Marie-Christine MAUREL
Sorbonne Université, MNHN, Paris
marie-christine.maurel@sorbonne-universite.fr
Co-Editors
Jean AUDOUZE
Institut d’Astrophysique de Paris
audouze@iap.fr
Georges CHAPOUTHIER
Sorbonne Université
georges.chapouthier@upmc.fr
Ernesto Di Mauro
Università Sapienza
Italie
dimauroernesto8@gmail.com
Mickaël FAURE
Ecole des Beaux-Arts
mickael.faure@versailles.fr
Jean-Charles HAMEAU
Cité de la Céramique Sèvres et Limoges
jean-charles.hameau @sevresciteceramique.fr
Ivan MAGRIN-CHAGNOLLEAU
Chapman University
États-Unis
magrinchagnolleau@chapman.edu
Joëlle PIJAUDIER-CABOT
Musées de Strasbourg
joelle.pijaudier@wanadoo.fr
Bruno SALGUES
APIEMO et SIANA
bruno.salgues@gmail.com
Ruth SCHEPS
The Weizmann Institute of Science
Israël
rscheps@hotmail.com
Hugues VINET
IRCAM, Paris
hugues.vinet@ircam.fr
Philippe WALTER
Laboratoire d’archéologie
moléculaire et structurale
Sorbonne Université Paris
philippe.walter@upmc.fr
Publication ethics and publication malpractice statement