The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.
Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.
La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.
La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.
Volume 17- 1Issue 1
Viewed globally, the life of forms shows the same tendency to complexification for natural forms and for geometric forms resulting from mathematics or art, with a clear acceleration for the latter in modern times. Since the (...)
The rich Greek and medieval debate on the nature of the infinite, potential vs actual infinity, finds a synthesis and an answer in the invention, in Italy and during the Renaissance, of the geometric perspective. From the (...)
The Kosmoopera exhibition research project started in April 2019. A year later, the Russian Center for Science and Culture in Paris invite you to discover the works of Valentina Mir. The exhibition event take place on April (...)
Our vision of deep-sea life changed dramatically with the results of scientific explorations and study of the deep that began in the 1860’s. Mythical monsters, epitomized by Jules Verne’s giant octopus, gave way to mysterious (...)
In many dynamics of nature we may witness the iteration of a morphogenetic process. Mandelbrot fractals allow us to give an elegant mathematical representation of those engendered by physical processes and provide new tools (...)
Leonardo da Vinci has embraced the careers of engineer and painter with equal talent and equal success. However, he was not the author of the theory of theft, due four centuries later to another autodidact Frederik (...)
Leonardo da Vinci was a precursor in the fluid mechanics field, thanks to his experimental approach as well as its purely artistic applications. His creative process has inspired mine. Keeping with this spirit, I have been (...)
In 2019, one book (Xénobiologie, by Marie-Christine Maurel and Michel Cassé) and two exhibitions (La Fabrique du vivant at the Pompidou Center, Formes vivantes at the Musée national Adrien Dubouché in Limoges) displayed a (...)
This article presents a creation-research work in arts, meeting thoughts about landscape and ecology. How can an ecological thinking guide artistic and landscape practices? What role can academic research and artistic (...)
When you are a visual artist, working on agriculture or working on the landscape is not equivalent. Drawing on the review of his experiences as a researcher in arts, as a teacher in agricultural education and as a project (...)
Editor in chief
Sorbonne Université, MNHN, Paris
Ecole des Beaux-Arts
Musée national Adrien Dubouché
Cité de la Céramique Sèvres et Limoges
Musées de Strasbourg
APIEMO et SIANA
moléculaire et structurale
Sorbonne Université Paris