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Art and Science

Arts et sciences




ArtSci - ISSN 2515-8767 - © ISTE Ltd

Aims and scope

Objectifs de la revue

The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.

Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.


La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.

La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.


Journal issues

2017

Volume 17- 1

Issue 1

2018

Volume 18- 2

Issue 1

Accounts

2019

Volume 19- 3

Issue 1

Issue 2

2020

Volume 20- 4

Special issue

Recent articles

Preface

Le thème du paysage ne s’oppose pas, et même invite aux échappées surréalistes. En voici une comme entrée en matière. Par suite d’une peu croyable coïncidence de dates, et aussi de la parenté des thèmes, j’avais depuis des mois (...)


Introduction

Les articles regroupés dans ce numéro thématique mettent en relation deux thèmes majeurs de la pensée contemporaine : le paysage et l’écologie, en croisant démarches théoriques et pratiques, selon une approche (...)


Jean Giono: the panic thought as an anticipated literary environmentalism

From Colline to L’Iris de Suse and the short story L’Homme qui plantait des arbres, nature and landscape have a predominant position in Jean Giono’s work. If some of the critics (and readers) could see a "wonderful lesson of (...)


A neologism facing the signifier ‘landscape’

Using on a detailled study in terminology about the word - landscape - we must define the limits of our contemporary definition of landscape. Then we must consider the common features of ecological art, in order to compose (...)


The landscapes of ecology: a critical journey throught landscape models, from green fiction to ecopoetics

Ecology studies the relationships between living beings and their environment. A cultural approach of ecological issues questions the sensitive and significant relationships that we humans establish with our living (...)


Structural blue coating based on glaze painting

An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and (...)


Ernst Haeckel’s Radiolarians and Medusa: The influence of his visits to Villefranche on his science and his art

Early in his long career, Ernst Haeckel (1834 - 1919) twice visited Villefranche-sur-Mer. First, as a student, in 1856 during a sampling trip to Nice, and again in 1864 when sent to Nice by his parents for a change of (...)


Quantum phenomena as saturated phenomena. Third phenomenological reduction: donation

Jean-Luc Marion proposes the third phenomenological reduction, beyond Husserl and Heidegger. The radical reduction, the donation of transcendence in immanence, dissolves appearances and false realities; in this way, the (...)


Using art to avoid simplification of discourse and bring the unknown in science, an artist on board of TARA PACIFIC

In 2017 artist Noémie Sauve went aboard Schooner Tara Pacific to join a seven weeks expedition studying the state of coral reefs. In this article the artist overviews this experience and the way in which it altered her means (...)


Editorial Board


Editor in chief
 

Marie-Christine MAUREL
Sorbonne Université, MNHN, Paris
marie-christine.maurel@upmc.fr
 

Co-Editors
 

Georges CHAPOUTHIER
Sorbonne Université
georges.chapouthier@upmc.fr

Mickaël FAURE
Ecole des Beaux-Arts
mickael.faure@versailles.fr

Jean-Charles HAMEAU
Musée national Adrien Dubouché
Cité de la Céramique Sèvres et Limoges
jean-charles.hameau @sevresciteceramique.fr

Joëlle PIJAUDIER-CABOT
Musées de Strasbourg
joelle.pijaudier@wanadoo.fr

Bruno SALGUES
APIEMO et SIANA
bruno.salgues@gmail.com

Hugues VINET
IRCAM, Paris
hugues.vinet@ircam.fr

Philippe WALTER
Laboratoire d’archéologie
moléculaire et structurale
Sorbonne Université Paris
philippe.walter@upmc.fr

 


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