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Art and Science

Arts et sciences




ArtSci - ISSN 2515-8767 - © ISTE Ltd

Aims and scope

Objectifs de la revue

The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.

Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.

La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.

La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.

 

Journal issues

2017

Volume 17- 1

Issue 1

2018

Volume 18- 2

Issue 1

Accounts

2019

Volume 19- 3

Issue 1

Recent articles

Mathematical Infinity “in prospettiva” and Spaces of Possibilities

The Italian Renaissance painters invented the first symbolic form for the mathematical concept of ’’actual’’ infinity : the projective point of the perspective. This was the result of a long debate on infinity, in philosophy, (...)


Conducting Archaeogaming & Protecting Digital Heritage: Does the Future for Archaeology Lie in The Immaterial

Digital games have become considerable and influential cultural transmitters throughout the past years. As social sciences had grasped the importance of this medium as an object of study, the field of archaeology has (...)


Coalescence, Visions of Science

Coalescence. Inevitable attraction, inescapable fusion of two identical materials that results in the creation of a new, more energy-efficient entity. This is the essence of this work which associates science and art in a (...)


Living forms

The Formes vivantes (Living forms) exhibition, which will open on October 9th, 2019 at the Musée national Adrien Dubouché, Limoges, France, aims at exploring the relationship between ceramics and the living, from the (...)


Internal geometry of "Salvator Mundi" (so-called Cook version, attributed to Leonardo da Vinci)

The study presented here concerns the search for the internal geometry of the Salvator Mundi (so-called Cook version, attributed to Leonardo da Vinci), followed, by comparison, with that of the so-called Ganay version. This (...)


Chemistry drawing forms: metallic trees and chemical gardens

Some categories of chemical reactions lead to the formation of solid and are able to produce surprising structures with special geometrical properties such as self-similarity. This paper deals with such structrures, (...)


Are science and poetry in contradiction with each other?

Are science and poetry in contradiction with each other? Looking for answers to this question, the author attempts to recount briefly the history of the changing relationship between science and poetry. Several aspects (...)


Art for the conservation of one of the most endangered lemurs

The Bamboo lemur program led by Helpsimus is based in southeast Madagascar, near Ranomafana National Park, within an unprotected and intensively cultivated area that is home to the largest wild population of greater bamboo (...)


Internal Geometry of a G. de La Tour’s "Night": "The Apparition of the Angel at saint Joseph" (Museum of Fine Arts, Nantes)

The internal geometry allows painters to organize the pictorial space to make it coherent and harmonious. But the internal geometry and the support on which it is plotted, do not appear in the painted work, neither in its (...)


Editorial Board


Editor in chief
 

Marie-Christine MAUREL
Sorbonne Université, MNHN, Paris
marie-christine.maurel@upmc.fr
 

Co-Editors
 

Arshia CONT
Antescofo, Paris
arshia.cont@ircam.fr

Georges Chapouthier
Sorbonne Université
georges.chapouthier@upmc.fr

Joëlle PIJAUDIER-CABOT
Musées de Strasbourg
joelle.pijaudier@wanadoo.fr

Bruno SALGUES
APIEMO et SIANA
bruno.salgues@gmail.com

Hugues VINET
IRCAM, Paris
hugues.vinet@ircam.fr

Philippe WALTER
Laboratoire d’archéologie
moléculaire et structurale
Sorbonne Université Paris
philippe.walter@upmc.fr

 


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