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Art and Science

Arts et sciences

ArtSci - ISSN 2515-8767 - © ISTE Ltd

Aims and scope

Objectifs de la revue

The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.

Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.

La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.

La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.

Journal issues


Volume 17- 1

Issue 1


Volume 18- 2

Issue 1



Volume 19- 3

Issue 1
Issue 2

Recent articles

Ernst Haeckel’s Radiolarians and Medusa: The influence of his visits to Villefranche on his science and his art

Early in his long career, Ernst Haeckel (1834 - 1919) twice visited Villefranche-sur-Mer. First, as a student, in 1856 during a sampling trip to Nice, and again in 1864 when sent to Nice by his parents for a change of (...)

Quantum phenomena as saturated phenomena. Third phenomenological reduction: donation

Jean-Luc Marion proposes the third phenomenological reduction, beyond Husserl and Heidegger. The radical reduction, the donation of transcendence in immanence, dissolves appearances and false realities; in this way, the (...)

Using art to avoid simplification of discourse and bring the unknown in science, an artist on board of TARA PACIFIC

In 2017 artist Noémie Sauve went aboard Schooner Tara Pacific to join a seven weeks expedition studying the state of coral reefs. In this article the artist overviews this experience and the way in which it altered her means (...)

Mathematical Infinity “in prospettiva” and Spaces of Possibilities

The Italian Renaissance painters invented the first symbolic form for the mathematical concept of ’’actual’’ infinity : the projective point of the perspective. This was the result of a long debate on infinity, in philosophy, (...)

Conducting Archaeogaming & Protecting Digital Heritage: Does the Future for Archaeology Lie in The Immaterial

Digital games have become considerable and influential cultural transmitters throughout the past years. As social sciences had grasped the importance of this medium as an object of study, the field of archaeology has (...)

Coalescence, Visions of Science

Coalescence. Inevitable attraction, inescapable fusion of two identical materials that results in the creation of a new, more energy-efficient entity. This is the essence of this work which associates science and art in a (...)

Living forms

The Formes vivantes (Living forms) exhibition, which will open on October 9th, 2019 at the Musée national Adrien Dubouché, Limoges, France, aims at exploring the relationship between ceramics and the living, from the (...)

Internal geometry of "Salvator Mundi" (so-called Cook version, attributed to Leonardo da Vinci)

The study presented here concerns the search for the internal geometry of the Salvator Mundi (so-called Cook version, attributed to Leonardo da Vinci), followed, by comparison, with that of the so-called Ganay version. This (...)

Editorial Board

Editor in chief

Marie-Christine MAUREL
Sorbonne Université, MNHN, Paris


Sorbonne Université

Mickaël FAURE
Ecole des Beaux-Arts

Jean-Charles HAMEAU
Musée national Adrien Dubouché
Cité de la Céramique Sèvres et Limoges
jean-charles.hameau @sevresciteceramique.fr

Musées de Strasbourg


Hugues VINET
IRCAM, Paris

Philippe WALTER
Laboratoire d’archéologie
moléculaire et structurale
Sorbonne Université Paris


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