@ARTICLE{10.21494/ISTE.OP.2021.0682, 

TITLE={Choreographic art and science, a two-voice visit in science and technology museums}, 
  
AUTHOR={Micheline Lelièvre, Isabelle Astic, }, 
	
JOURNAL={Art and Science}, 
	
VOLUME={5}, 

NUMBER={Issue 2</br>}, 
	
YEAR={2021}, 

URL={https://www.openscience.fr/Choreographic-art-and-science-a-two-voice-visit-in-science-and-technology}, 
	
DOI={10.21494/ISTE.OP.2021.0682}, 
	
ISSN={2515-8767}, 
	
ABSTRACT={Several kinds of visit exist for museums and especially for science and technology museums. Most of them are “clever” discourses, built for the intellect. They generally require a minimal cultural and scientific background that intimidates and dissuades some audiences. Some others take the form of dance visits, more embodied. But all of them keep the visitor in a role of spectator or in a role of a performer who dance what the choreographer feels when facing at the works. This article exposes a new approach, called “sensitive”, which give to the visitor the choreographers’ tools to let him create his own interpretation of the artworks. It explains the way to build these visits, the notions which fond it, and its adaptation to conceive a “sensible narrative”, visit mixing clever discourse and sensitive approach. Sensible narrative’s advantages and limits are presented in conclusion. The implementation of the sensible approach in Fine Arts museums seems to show that this sensible narrative has a great potential. Experiments in science and technology museums would confirm it.}}